‘s skeptical view of them was reflective of its creator’s mindset — Lee also saw as harmful. Minstrelsy was gone, but what lay at the roots of those shows wasn’t dead. It had just changed its makeup.
But the underlying feelings that inform the movie are rage and pain. That’s what you see in Delacroix’s eyes when his boss brusquely uses slurs and ill-advised slang to prove the he’s more “down,” and when the producer says that he refuses to keep pumping out shit “like. You see it in his face when white coworkers excitedly praise him and he watches white people cracking up at the performers denigrating themselves for their delight.
This is the history the film wants to remind you of; this is the history it wants you to reckon with. And seeing the movie through the lens of our current moment, history has indeed been kind — agonizingly so — to whatis talking about. That so many people have inherently picked up what Lee was putting down and used that as a sort of template for what
has helped its mode of attack feel remarkably familiar,. You can see its legacy in everything from the
Terrance Nance didn't do Sorry To Bother You. Boots Riley did. All vanguard Black men filmmakers don't look alike. Who edited this?
Real is Real and Real Truth is what it is.....
One of my favorite films
Strange I thought blackface was offensive and frowned upon. Of course, in this case, it improves the look.
Boo! It was forgotten because it wasn't good. He's done way better movies.
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