, and was behind the revitalization of New York’s High Line, amongst many other projects that have in recent times reshaped cities and the art world. The DMA’s senior curator of decorative art and design, Sarah Schleuning, worked closely with DS+R . She was impressed with her collaborators.
in Paris and then it would go to the Dallas Museum of Art. We had to imagine a cohesive structure and spatial narrative for both sites, which are radically different.I was unaware of Cartier’s connections with Islamic art, how the founder’s grandson Louis was so inspired by the European exhibitions highlighting it. It affected not only his collecting but also shaped the house’s designs.
The videos by DS+R really unlock the fact that the exhibit isn’t just exploring jewelry and the decorative arts, but also science and technology. I love the “breathing necklace” video! Unless one has handled high jewelry, it’s hard to convey the weight and mechanics. You are wielding state-of-the art video and animation techniques, and then added to that is ancient Islamic art. It’s humbling to compress this blur of centuries and cultures.
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