, Redding and many more artists brought worldwide fame to Stax, and the label was flying high. But in 1968 Stewart learned that a distribution contract he’d signed with Atlantic’s presidenta few years earlier—without consulting an attorney—had somewhere in the fine print given Atlantic permanent rights to the entire Stax catalog. This calamity occurred nearly simultaneously with the death of Stax’s biggest star, Redding, in a plane crash, and the assassination of Martin Luther King, Jr.
When I first met Jim that night at the Peabody, I imagined he harbored no small amount of ill will towards Atlantic Records, the label that had taken away his catalog and was now putting out the box set I’d produced. But no, he said, he didn’t hold any sort of grudge, and when I invited him to come to New York for the launch party celebrating the release of the box set, he was only too happy to do so.
The release of the Stax box brought Jim back into the music industry’s field of vision, and he began to make regular visits to New York, always stopping by to have lunch and to pitch me his newest discoveries.
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