Amazon’s ‘Birds of Paradise’: Film Review

Director-screenwriter:But because it recycles tired tropes of performing-arts training we’ve seen in a million teeny-bopper dance flickseven its sensual art house moodiness can’t save the film from cliché. There’s only so many times you can hear a young beauty fret over a token of superstition or preach about sacrifice or hurl into a toilet., the film is most arresting when it autopsies that undefinablewhich draws two disparate girls together.

I had no real sense of their hunger for dance; only their hunger for each other. The young women snuggle in bed each night sharing their deepest thoughts. They confess their worst secrets and hardest losses. They battle to partner with the best male dancer in the school — not because they truly desire him, but because his talent will exude their own. They call each other “best friend,” yet they both wonder if that is merely self-delusion.

With her doe eyes and espresso hair, Silvers evokes a young Gaby Hoffmann: It’s hard not to automatically align yourself with the unwieldy innocent, even as she succumbs to the temptations of competition and her own darkest impulses. Froseth is believably cunning and vulnerable, but the laughable twists and absurd monologues of the film’s latter half distract from her performance and the chemistry she shares with Silvers.

gets lost in its own muddied aesthetic pretensions. Shaheen Seth’s libidinous, compelling cinematography beautifully complements Nora Takacs Ekberg’s lush “haunted dollhouse” production design. But whileis a worthy sensorial experience, the visual and aural pleasures are not enough to sustain the tension. The sexiness starts to feel largely unearned. The lurch towards the climax becomes grueling as the girls get lost in their own class warfare and mind games.

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