The Basel-going crowd will have another chance to catch Diop’s art in Miami at the Rubell Museum, which will present his work in a solo exhibition, “Alexandre Diop: 2022 Artist-in-Residence,” in time for the fair. Diop completed his residency at the Rubell in Miami at the start of the year and the show will include many works created while he was onsite at the museum.
He points to his triptych “L’Histoire du Monde — Le Temps et L’Espace ” as a central work on view at the Rubell and also one of his largest pieces to date, both in literal size and scope of the subject: the state of humanity. In another large triptych, “Troisième de la Lignée ,” his mélange of figures propel their way forward and across the panels.
While audiences only witness the finished composition, that state of failed experimentation and process is what Diop finds most compelling in his work. “I notice that the more I meet problems while I’m doing a piece, the more complex and interesting the piece will be,” he says. “This is what is important and interesting in art; art is a self-questioning. It’s a way to live — not only for others, not only in the capitalist art historical context,” he adds. “I think maybe [art] is the act of living, and life is of course associated with pain, with struggle, with death.”
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