” was made haunting by a smokey haze looming over the space. In contrast, her delivery of the sensuous “Hit the Back” was bouncy, unrestrained, confident; she hopped and sashayed across the dance floor, swinging her hips side-to-side as she flirted with her titular lover: “A dirty girl with lots of passion / Staring at my fingers while I talk to you.”
The two tracks, though released just a little over a year apart, reflect two distinct moments at the outset of King Princess’s burgeoning career. With dreamy strumming, 808 drums, and an anthemic chorus revealing coded feelings , the former, “1950,” which was released in 2018, jettisoned the wavy-haired then-teen to viral status. Fans were hooked; so was One Direction alum Harry Styles, whohttps://www.youtube.
Building on the sparse language put forth by “1950“ came “Hit the Back,” first released in October 2019 as the lead single of a five-song teaser by the same name. It begins with a minimal piano introduction dusted with Straus’s soulful vocals that tease: “I need you to search my clothing / Pat me down and feel the molding.” But then, much like King Princess herself, it quickly transforms, exploding into a lusty dance-floor bop with all the groove of a Boney M backup dancer.
That nonchalance is precisely what makes King Princess's work so profound for an emerging generation of LGBTQ+ people, many of whom are undoubtedly looking for themselves in today's musical landscape. Pop music builds pop culture, and seeing King Princess own her identity bolsters the notion that being queer is simply part of being.
Source: Entertainment Trends (entertainmenttrends.net)
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