Album Review: The Who’s ‘Who’

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Not only did the death wish expressed 55 years ago in “My Generation” not come true, but the Who have now become the first major rock act of their generation to come up with a whole album that’s ac…

The word “old” feels wrong, of course, when 75 is the new 40 and the Who have been bashing it out on the road just like Paul McCartney and the Rolling Stones, the whole OK-boomer lot of them playing like there was plenty of tomorrow. Amid that live vigor, McCartney and Mick & Keith aren’t so eager to devote nearly a whole album to ruminating on autumnal things. Townshend? Not so avoidant.

The feisty opener, “All This Music Must Fade,” could be retitled “OK Millennial,” with Townshend, using Daltrey as his puff-chested mouthpiece, challenging anyone who might want to rattle on about aging musicians’ irrelevance. “It’s not new, it’s not diverse / It won’t light up your parade / It’s just simple verse,” they declare, reminding Generation Pitchfork that their stuff’s a half-second away from being dust in the wind, too.

The classic-era album this one might remind you of, in combining Townshend’s autobiographical thoughts with a solid mid-tempo rock work ethic, is “The Who by Numbers.” It’s not that good — let’s be honest and say this isn’t an album you’re going to return to the way you would a “Quadrophenia” — but it does feel like a handwritten letter from a friend who’s been through some of the same shit you have.

 

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