Aidy Bryant and Carrie Brownstein on Why It's Cool to Be Angry

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Ahead of season three of 'Shrill,' the show's co-creator and nbcsnl star AidyBryant speaks with her fellow comedian CarrieBrownstein about self-worth, emotional freedom, and playing Ted Cruz.

BRYANT: Really good. I’m looking forward to being interviewed.

BROWNSTEIN: No, it was a great answer. And I was going to say the same thing. I think there’s a different kind of pressure if you know that you’re embarking on a final season, to make some kind of thesis statement or summation, when really, as you’re saying, life asks more questions than answers. And it’s not like on our deathbeds we’re like, “I did it. And, scene.”BROWNSTEIN: Is there a show that you’re a fan of, that you loved the conclusion of?.

The second season, I really was like, “Oh. I trust so many of the people around me. I can let go of my death grip and take a moment to be a performer right now.” And that made it so much better. BRYANT: What a beautiful compliment from a friend I respect as an actor and a director. And a writer, wow! The first season, it was all just so raw for me at times, like the pool party episode. It was like, “I’ve lifted this and I can rip it wide open.” And I feel like the second season, I was a little more thoughtful about it.

BROWNSTEIN: Yeah, and it’s hard not to have it be characterized from outsiders as being out of control. It’s like, “Wait, but I don’t feel out of control. My emotions are just very big right now.” I think the minute someone says, “Oh, but you’re out of control,” it puts a stop to it, and you feel a lot of shame. But I think with reflection, you’re like, “No. I actually feel very much in control. It’s just being expressed in this way that’s threatening to you, or threatening to the culture.

For this show, it was a really nice balance of feeling like we’re acknowledging this character’s experience, which is a fat woman navigating the world, but also we’re giving her pieces of her life that aren’t just about her being fat. And for any person who represents any piece of anything on screen, there’s a way where that just becomes the entire story for them. Whether it’s the color of their skin or their orientation, or anything.

 

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