, the sophomore narrative feature from video essayist-turned-filmmaker Kogonada, the near-future boasts a familiarity that is both comforting and disquieting. The idea that humanity continues to thrive despite the threat of imminent cataclysmic disaster certainly provides solace, but this seemingly idealistic alternative turns out to have its own distinct failings.
We’re introduced to one such future family in perhaps the most entertaining way possible. The film’s title card appears during a virtual dance competition, featuring families from around the world competing via synchronized choreography. Jake and his wife Kyra wear matching unitards with their daughter Mika and her android brother Yang , the family of four performing with nimble accuracy and an appropriate hint of playfulness.
Though they’re ostensibly different entities, Minh and Tjandrawidjaja have a sort of palpable, natural chemistry that feels authentic between close siblings. The playful cadence of their nicknames, giddy whispers from the hallway and the heart-wrenching pain of absence all translate with particular accuracy. These performers’ scenes—whether shared or not—often steal the spotlight from arguably more seasoned actors.
Much of the film is punctuated by Mitski’s cover of the song “Glide,” a song which first appeared in the 2001 filmas performed by the titular fictional band. Mitski’s rendition is particularly haunting, only rivaled by Tjandrawidjaja’s gorgeous, girlish croon when she sings what she only knows as “Yang’s favorite song” to her mother and father.
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