A Woman Created One Of The Most Iconic Art Pieces Of All Time—But A Man Took Credit For It

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There are several pieces of evidence that support the notion that Elsa von Freytag-Loringhoven is the real artist behind 'Fountain.'

There is a long-standing history of male artists taking credit for women’s work, and the Dada movement was no different—even though Dadaism was an art movement founded in the rejection of logic, reason, and modern capitalist society. Dadaism was considered the “radical left” of the time but they still ignored, rejected, and excluded women from the canon of art history.

In 1935, André Breton—a well-known surrealist—brought attention back to Fountain, but attributed the piece to Duchamp, assuming he had resigned because it was his work. Duchamp not only did not correct him, but then began to commission replicas of the piece and pass it off as his own. Freytag-Loringhoven was not able to take credit at this point, because she had died in 1927.

According to See All This, “the glaring truth has been known for some time in the art world, each time it has to be acknowledged, it is met with indifference and silence.” John Higg wrote a book called Stranger Than We Can Imagine, in which he covers this controversy in depth and concludes, “to attribute Fountain to a woman and not a man has obviously, far-reaching consequences: the history of modern art has to be rewritten. Modern art did not start with a patriarch, but with a matriarch.

 

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