’s iconic recording of “I Loves You, Porgy” was her first hit and helped establish her career. In her book Black Opera, Naomi André writes that the music of Porgy and Bess “touches us and gets under our skin in such a way that it feels like a part of us. And this,” she adds, “is what makes Gershwin’s opera so easy to love and so difficult to stay mad at.”
In 1952, theatrical producer Robert Breen co-founded the Everyman Opera Company, originally with one mission, to restageas an opera. A successful world tour followed. Breen then fixed on the idea of commissioning a new work to be performed in repertory with— an American opera as accessible as Gershwin’s.
If there is a distinguishing element in Arlen’s songwriting, it is the genre of the blues. Though there are Arlen tunes outside the genre — such as “My Shining Hour” and “Let’s Fall in Love” — his songbook is markedly bluesier than that of his non-Black peers.
Work progressed slowly. Arlen was in poor health, in and out of the hospital with a stomach ulcer so severe he dubbed 1954 “the Year of Transfusion.” A piano was wheeled into his hospital room. When Arlen was too weak to get out of bed, the conductor Samuel Matlowsky wrote down melodies Arlen hummed to him.
nine shows a week,” Mauceri says. “I’m packing my bags to make a recording in Berlin. And what happens? The sound of screeching brakes. Full stop. Everything is canceled.”
Source: Entertainment Trends (entertainmenttrends.net)
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