A.I. Imagery May Destroy History As We Know It

Artificial intelligence images have the potential to misinform the future. For the first time in the technological present, we are on the cusp of a life-and-art-altering explosion of intentionally created dis-informational imagery.Prompted art by artificial intelligence is a fact of modern life. Millions ofpropagate daily across the internet. A.I. is shared on social media and stored in vast memory banks. A.I.

Seventy years later, with the recent development of the large language model ChatGPT and image creation programs like Midjourney and DALL-E, the lines between reality and imagination have started to blur…and reality is at stake.As a photographer on a 20-year journey to photograph a thousand Native Americans in the present day, I am concerned about the fact that history, itself, will become unalterably altered.

The majority of today’s images race through our social media thread. These images are rather convincing as the manner in which they are produced is technologically impressive. The ability to differentiate fiction from reality is further compounded when viewed on the small screen of a smartphone. Few take the time to study the number of digits on the hands of a Native American portrait that was supposedly taken over 100 years ago.A “photo” created by the AI program Midjourney by Steve Lease.

Will future generations archive these fake images as historically significant? Will historians mistakenly believe these are depictions of real regalia, dances, and ceremonies performed by authentic tribes? And if so, how does that impact today’s tribes that actively document their real history and heritage? Many experts have already voiced major concerns about “deep fakes” and the troubles they will cause for historians in general.

Pogo, the eponymous anti-hero of Walt Kelly’s comic strip of the same name, famously declared ‘We have met the enemy, and he is us.’ French painter Paul Delaroche, upon seeing his first daguerreotype in 1840 purportedly exclaimed ‘From today, painting is dead!’

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