A 79-year-old doing hip-hop? TheSimpsons is where free speech battles age bias claims
Alf Clausen, who spent 27 years as the animated show's lead composer, says Fox is being deceitful about the motivations for his firing.
.)"Mr. Clausen’s evidence … demonstrates that, since at least 2008, Fox had known he regularly delegated the composition of music to members of his team," states the brief."This fact is confirmed not only through Fox's own cue sheets, but emails between Matt Selman, Al Jean, Carol Farhat and even James Brooks, wherein discussions about Scott Clausen and others composing cues are undeniable."
The plaintiff's attorneys then add,"The notion that Mr. Clausen was unable to capture the showrunners’ vision is equally ludicrous. … Mr. Clausen won two Emmys, five Annie Awards and became the most nominated composer in Emmy history, amassing a record 23 Emmy nominations for his work on The Simpsons. The mere fact that Al Jean and Matt Selman routinely skipped the recording sessions suggests how much faith and confidence they had in Mr. Clausen delivering their vision."
As for whether Clausen is capable of doing hip-hop, the composer says Brooks is only revealing"discriminatory ageist beliefs that Mr. Clausen was only good at old styles of music, rather [than] up-to-date genres, such as rap, electronic, etc. — even though the evidence and his work history prove otherwise."
At an Aug. 5 hearing in Los Angeles Superior Court, the issue for the judge won't necessarily be whetherSimpsonsproducers were justified in replacing Clausen, who also says he's worked within budget parameters. Instead, the question may be: Was the firing about the music? Because if it's about the music, Fox stands a very good chance of prevailing on its anti-SLAPP motion. Clausen implies that his firing wasn't about the music.
California's SLAPP statute is intended to swiftly dispense with frivolous lawsuits interfering with someone's free speech. Under the first prong of SLAPP analysis, a judge examines whether a legal action arises from an act furthering a defendant's First Amendment activity in connection with a public issue. That analysis gets somewhat complicated with regards to entertainment and media companies. Courts don't want to overlook discrimination, but on the other hand, judges are mindful that these entities produce speech as a regular function. That sometimes means that a controversial decision by an entertainment or media defendant can be connected to a significant issue of speech. No wonder the topic has been the subject of very recent appellate opinions (like this one, or that one).
So, was Clausen's firing motivated by a desire to improve the music onThe Simpsons— as Fox contends — or is that reasoning just pretextual? And how does a judge weight the evidence? Here, Clausen's attorneys Thomas Girardi and Ebby Bakhtiar attempt to convince the judge that Fox's prior knowledge about work delegation, among other things now in submission, add up to an inference that Fox is being deceitful with respect to the reasoning behind the decision to terminate the show's longtime composer.
If Clausen doesn't prevail on this point, L.A. Superior Court Judge Michael L. Stern will then turn toward an analysis of the merit of Clausen's claims. Under the second prong of the SLAPP statute, a plaintiff must establish a probability of prevailing before moving any further in the case. Clausen's lawyers translate this as meaning the suit need only show"minimal merit" (which they believe they have met), although Fox is likely to argue the screen is higher, particularly given the legitimate rationale they have offered for Clausen's termination.
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