It’s rare that an actor can make an audience forget that what they’re watching is, in fact, a performance. Two-time Academy Award-nominated actress Margot Robbie possesses a striking ability to immerse herself entirely into each of her characters. From the vehement Naomi Lapaglia in The Wolf of Wall Street to the insecure Queen Elizabeth I in Mary, Queen of Scots, Robbie’s characters are often flawed and perplexing people.
COLLIDER VIDEO OF THE DAY The Wolf of Wall Street – Naomi Lapaglia 2013 was a breakthrough year for Robbie. After her debut in About Time, she landed the role of Naomi in the now-iconic dark comedy crime film from the master of crime films, Martin Scorcese. The role cemented Robbie as a formidable actor and one that can display astonishing comedic and dramatic range in just the duration of one film.
Playing a real person as a character is no easy feat. In fact, Robbie had to play Harding at nearly every major stage of her ice skating career: as an adolescent, as a young adult, and in middle age as she reflects on her past. Robbie even deepens her voice into a raspy, more hoarse tone by the time she reaches her adult years to reflect the nature of aging. There are complications that arise with portraying real people and finding the line between the person and a dramatized character.
Once Upon a Time in...Hollywood – Sharon Tate There are few actresses that could capture the essence of the late Sharon Tate, a gem of Golden Age Hollywood whose tragic death formed part of the basis of Quentin Tarantino’s most recent film. This film, which is another in the director’s arsenal of historic-fictional revenge tales, intertwines several characters in late 1960s Hollywood.
Robbie displays one of the year’s best character transformations as Kayla, who, although brand new at the station, is ambitious and determined, with strong goals to be the network’s next weather anchor. However, as she slowly uncovers the truth about the rise to power within the network, the enthusiasm in her eyes begins to falter. Her posture says it all, growing increasingly guarded as she starts to feel eyes on her after a series of traumatic incidents.
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