Amid the pandemic, the 2021 Cannes Film Festival remained a site where well-dressed celebrities, cinephiles, and filmmakers gathered to celebrate an art form that has felt fraught with fragility in the in the past year. Whether audience members seemingly applauded at just about any film they witnessed, or critics panned a piece they deemed unimpressive, one thing was clear: the cinema has been sorely missed by all in the past year and a half of streaming movies at home.
is a romanticized view of Paris from the perspective of someone accepting his new position as a young old man. It’s divided into vignettes, or stories in a magazine . One story starsas a revolutionary leader in May 1969, which now takes place in March, from the perspective of an older writer played by Frances McDormand. Like a Gen-X filmmaker looking at Generation Z, McDormand doesn’t understand their idealistic political agenda, but also knows that they’re right.
Falling asleep in a movie is a common festival experience due to early morning screenings, late nights, and persistent jet lag. Lucrecia Martel, Tsai Ming-liang, and Abbas Kiarostami have all endorsed the act for their films and others. In watching films at home in the past year and a half, I may have seen some things in parts, continuing the next day if I was tired, but I didn’t miss anything.
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