Francis Ford Coppola doesn't need much by way of introductions, considering he's been active as a filmmaker for decades and has made some of the best movies of all time. His 1970s output alone makes him a legendary director of the highest caliber, given that, between 1972 and 1979, he was the filmmaker behind The Godfather, The Conversation, The Godfather: Part II, and then Apocalypse Now.
It’s not one of the best-known Fellini films, certainly not being up there with the likes of La Dolce Vita or 8½, but is still impressively made and something that functions well as a character-focused dramedy. Being about several men of different ages all dealing with the general ups and downs of life in a small Italian town, it’s understated but immersive, and has an empathetic approach to showcasing its various characters’ lives.
Representing broader and wider-scale issues and conflicts, Ashes and Diamonds is mostly about one young soldier being tasked with killing another, which is part of a bigger conflict between Polish resistance fighters and Soviet forces who’d previously both fought against Nazi Germany. In that way, there is potentially a line to be drawn between it and Apocalypse Now, at least as far as basic premises and dark, psychologically intense looks at warfare go.
It seems Coppola’s an admirer of Scorsese's work, though Scorsese didn’t pick any Coppola films when he participated in Sight & Sound . Anyway, one of the Scorsese films selected by Coppola was The King of Comedy, which is one of Martin Scorsese’s tensest and most provocative films, being about the lengths one unnervingly determined wannabe comedian will go to when it comes to achieving fame and impressing the talk-show host he looks up to.
3 'The Apartment' Director: Billy Wilder There are a few Billy Wilder movies that could be contenders when it comes to picking the filmmaker’s very best works, with The Apartment undoubtedly standing as one of them. It joins The Best Years of Our Lives and Sunrise: A Song of Two Humans as a Best Picture winner that Francis Ford Coppola considers one of the best.
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