Wayne McGregor is holding a glass of water aloft in his hands. He’s illustrating to me the idea of physical intelligence – how all of us, not only dancers, think with our bodies, even if we’re not wholly aware of it in our everyday lives.
exploring mind and movement), if there’s one word that crops up time and time again when reading about his oeuvre, it’s possibility., helping to create the groundbreaking digital concert by the Swedish pop group as they appeared in 1979. After five weeks of intensive filming with the septuagenarian band, McGregor used motion capture to transpose their choreographed movements onto their younger avatar selves.
For every performance the algorithm selects the section of his code – and therefore the sequence of dance – that will be seen on stage. “I like that we don’t know how that piece is going to be organised,” he tells me.
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