Having said that, there was some structure to this show: a collaboration with a selection of living artists of all ages and backgrounds, curated by Gianluigi Ricuperati, resulting in around 20 fashion pieces in total. Fitting, for Venice, a city at the very crux of the renaissance art explosion and whose modern cultural identity is tied to its world-renowned art biennale.
Those arty looks did not the show make: they comprised roughly a quarter. But they did, perhaps, suggest a different structure, a new approach. Thinking of art makes you think of colour – which Piccioli adores, is a modern master at using, and here indulged to delirium. Like a painter squeezing pigment fresh from the tube, dresses emerged in rich purple, a vibrating yellow, a hulking lump of chartreuse, one after the other.
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