is becoming a new and innovative way for small creative teams to bring new stories to life, and in the case of indie studio HaZimation even get major streaming platforms. TV right now, with a release date set for April 22nd. The film is directed by former VFX artist Hasraf ‘HaZ’ Dulull, who was also behind breakout Netflix sci-fi hit The Beyond.. Hasraf tells me this 3D 'game engine' is enabling smaller teams to achieve more.
Max Beyond follows the trials of a young boy held captive in a secretive research facility who discovers he can open gateways to parallel universes in a bid to find his brother, and escape his captors. The film's cast featuresThe film has been colour graded by colourist Vanessa Taylor, who previously worked on The Northman, and gives Max Beyond a dramatic saturated stylisation. Created entirely in, Max Beyond has a look reminiscent of 90s cel-shaded anime.
Part of this agility came from designing a visual style that suits the technology, as the director tells me, the team avoided being drawn into a race towards photorealism, instead opting for a manageable hybrid cel-shaded look with 3D cameras."That was a very conscious decision so that we can render things quicker, we can make iterations quickly, and as a filmmaker I'm not constricted with the bottlenecks of rendering technology.
Ian Dean is Editor, Digital Arts & 3D at Creativebloq, and the former editor of many leading magazines. These titles included ImagineFX, 3D World and leading video game title Official PlayStation Magazine. In his early career he wrote for music and film magazines including Uncut and SFX. Ian launched Xbox magazine X360 and edited PlayStation World.
Source: Entertainment Trends (entertainmenttrends.net)
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