The Story Behind Rineke Dijkstra’s Poignant New Portraits

makes portraits like no one else. Her works are large in scale, betray a command of lighting, composition and visual acuity as impressive as that of the 17th-century Dutch masters, and are breathtakingly candid, appearing to encapsulate the very essence of her subjects.

at London’s Marian Goodman gallery. “I am always looking for authenticity in people, their individuality and how they distinguish from others,” Dijkstra tells AnOther, “but also, what connects them and how people relate to each other.”, for instance, an enthralling three-screen video installation commissioned by Amsterdam’s Rijksmuseum, features 14 different groups of people – from Dutch school girls to Japanese businessmen – observing, and talking in front of, Rembrandt’s magnum opus,.

The passing of time is a resonant theme in Dijkstra’s work, and she frequently returns to her sitters to capture them as they grow and change. Two key series on display,, depict sisters: the first grouping, three Dutch siblings of differing ages; the second, a pair of Isreali twins. For both projects, Dijkstra shot the young women over a number of years, poignantly observing their journeys from childhood, through the inevitable awkwardness of puberty , and out the other side.

And indeed, whether it’s the almost indiscernible touching of a knee to a sister’s shoulder , the decision of one identical twin to wear earrings, and the other a choker , or the mirroring – intentional or not – of an older sister’s leg positioning , it is such minutiae that give way to narrative speculation and poetic reflection on human connection. “I hope that my portraits can gain universal value and will tell their own story within the context of their subject,” Dijkstra affirms.

Source: Entertainment Trends (entertainmenttrends.net)

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