was described by the singer as having “end of 90s movie vibes” – andcarries on with that tradition. Sonically, there are layered echoes of late 80s shoegaze, jangle-pop and 90s alt-rock, with cascading guitars and sleepy, obscured vocals. The influences can also be seen in the video’s aesthetic, which swings between late 90s grunge and early 00s romcoms.
Bresson and Laus worked together to create a film that felt as “realistic” as possible. After agreeing on the overall vision, they began casting young Parisians who were already fans of Laus. “It was important for me that the whole cast looked like a group of friends, so we asked them to introduce us to their friends,” says Bresson. “My main decisive factor was their motivation to want to be part of the project.
The video ended up being shot in winter, on the rural outskirts of Paris. Because of the pandemic, there were some challenges: Bresson says that the creative team had to be reduced, while Laus says that much of Paris was a “ghost town“ . “My favourite parts of shooting on set must have been the party scenes with all the cast,” says Laus. “There was a really amazing energy of real friends and cool Parisian kids coming together in an old house in the countryside.
“I think that in the end, the pandemic restrictions turned into a strength,” adds Bresson. “Every teenager who was present felt the need to party hard and to live this moment as if it was the last. Honestly, their energies were crazy! This shoot felt like a real party.”
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