Stockholm’s ArkDes museum celebrates Sigurd Lewerentz’s architecture for body and soul with a publication and exhibition, ‘Sigurd Lewerentz: Architect of Death and Life’ Those unfamiliar with Sigurd Lewerentz may be intrigued by how he is characterised in books and articles. Despite being one of Sweden’s most, he is regularly described as ‘enigmatic’, ‘mythical’ or even ‘obscure’.
‘There’s his famous buildings, which are existential, they’re about life and death and profound themes of what it means to be a human being.’ But, adds Long, other works tapped into Lewerentz’s clear understanding of our more everyday desires. ‘He had a long career and, especially in the 1920s and 1930s, was engaged with shopping, drinking, listening to jazz, living in a modern metropolis, and having fashionable clothes, interiors and expensive, luxurious furniture.
Lewerentz’s 1925 Chapel of Resurrection in Stockholm’s Woodland Cemetery features white mosaic floors and lofty ceilings. The elegant triple window signifies the chapel’s link with heaven The long period between these existential works is when Lewerentz took on projects that spoke to the more light-hearted elements of everyday life. In 1930, he and Asplund were designated as head architects for the Stockholm Exhibition, a four-month fair that encouraged Swedish citizens to engage with modern ways of living.
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