Jermyn Street is one of London’s oldest and grandest commercial strips. This is Beau Brummel territory – a district of gentlemen’s clubs and costumers. Not so long ago, you’d come to Jermyn Street for fresh shirts, new boots, hours in the sauna, or a discreet lunch with your “niece”.
There are irresistibly feisty responses to the everyday unpleasantnesses of navigating the world as a woman. A nod to the building’s former occupants comes in Sarah Maple’s, in which the artist appears beautifully besuited. Standing as though for a wedding portrait in front of a huge floral display, she cups her hands around her protruding belly, a lit cigarette dangling from her vividly painted lips.
Together with Jo Spence , Martin pioneered “photo therapy”, inviting the subject to revisit their personal history by embodying the figure in an old photograph. Here, we see Martin performing as her mother and father – poses echoed by Spence in a separate display on the floor above.occupies a high-ceilinged central space. Beyond, a shop displays books and high-end prints for sale. Above, a mezzanine offering three little galleries for solo displays.
Why opt for the hubristic name rather than simply calling it the “Hyman Foundation for British Photography”? Is this an institution with a long-term plan, or an opportunistic pop-up making good use of an empty commercial property?
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