creative hub, eL Seed—whose projects have appeared everywhere from the favelas of Rio de Janeiro to the North-South Korean DMZ—is now at the forefront of the city’s vibrant and growing arts community. Indeed, Dubai has become a major arts hub over the last two decades, with well-established art fairs and galleries . In 2009, meanwhile, the United Arab Emirates became the first Gulf country to have a pavilion at Venice Biennial, one of the world’s most famous art exhibitions.
“What I like about this place is the diversity, and seeing people from different communities, ethnicities and religions being able to practice and live on their own terms, but in respect of everybody else,” says eL Seed of Dubai. His public works can be spotted throughout the city; what he considers his most iconic piece,, is a bright pink sculpture outside the Dubai Opera ripe for public engagement. “People can interact with it, climb on it and walk through it,” says the artist.
His professional art career didn’t begin until a decade later when, while working as a business consultant in Montreal, he painted his first piece of Arabic calligraphy as public art. “I felt something was missing from my life. I was dying inside, and I just wanted to paint,” he says. “I had this impression that something had been in me for years and it was just waiting for me to express- it,” he says.
Beginning in 2013, eL Seed took up a one-year residency at Dubai’s Tashkeel contemporary art and design center at the invitation of founder and director Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, a member of Dubai’s ruling family. It was apparent he would “make work with an impact,” says Sheikha Lateefa.
Key to eL Seed’s approach, says Sheikha Lateefa, is his thoughtfulness regarding the communities in which he’s working. “He is the inventor of the idea, but then uses communities to actually think through what he is making and how it is produced.” Indeed, eL Seed says he understands, when making large-scale public art projects, it’s essential to get into the mindset that you’re working for those who live there, rather than creating whatever you’d like.
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