), the apocalyptic artwork of schizophrenic artist Royal Robertson , the grief he experienced following the death of his mother , or the relationship between Elio and Oliver in Luca Guadagnino’s, his music maintains that soul-piercing quality. It plummets the depths of the human experience, touching on themes including life, death, love, loss, religion, and spirituality.
SS: I think you’re very thoughtful, very sensitive and intuitive about things; about the world and about art. That’s something I noticed right away, even though there’s some inexperience in you – which I actually think is kind of refreshing – you’re very thoughtful and perceptive. I’d like to think that I’m that way too. And I think we both approach our work with the same kind of seriousness, earnestness and attention to detail. So I think sensitivity.
SS: It’s always evolving. It’s an ongoing relationship to the unknown. It’s complicated. And it’s something that I value. For me, it’s really important to understand that the world is something other than the physical; that there’s a metaphysical and a spiritual.
ADA: I brought this big blue binder with me and we took notes. It was like camp or doing a book report to some extent, but then you also have the elusive unknown, which seeps in too, which is probably the most exciting part to me: when something magic happens that you didn’t will to happen.
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