is the culmination of four years worth of work as artist-in-residence at the Chelsea & Westminster and West Middlesex hospitals in London. I initially set out to create a body of work that would be a voice against the privatisation of the NHS. As relevant then as now, this felt like an important subject, and one close to my heart. As the project went on, this overtly political focus became context to the project, while what emerged was a study of human strength and fragility.
“I would generally be partnered up with a particular member of staff in a particular department at any one time, and my approach was to shadow that member of staff for a while before bringing a camera to the hospital. Sometimes that shadowing process would be for a long time, sometimes not so long, but it was all about assimilating myself to the environment – trying to understand some of the ebbs and flows both physically and emotionally.
“I would take time to reflect on what I was doing too, maybe shooting for a couple of days, and then going, and having to get the film processed was a good natural pause – looking over that, coming back to it, thinking about what to do next.“One of the things that struck me was how psychological as well as physical the jobs being carried out by the medical teams are, and also how potentially affecting the roles can be on them personally.
“Working in the hospital definitely sparked a lot of existential thought; about life, health, your body, your mind. And I felt very present within myself when making this work. “It’s an environment in which the protections of day-to-day life are peeled back and elements like vulnerability and care are encountered very viscerally. This was a super powerful experience, and it’s why I’ve kept coming back to the concept of strength and fragility as a means to frame the work. Both of these things were felt so strongly across all walks of life and status that they’re what I have used to interpret the human experience.
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