‘Dos à la Mode’ presents the sensual, witty and message-bearing potential of clothes’ rear angles, amongst backwards-turned stone sculptures
S/S 1997 ‘Body Meets Dress, Dress Meets Body’ dresses, by Comme des Garçons, archives Adrian Appiolaza.S/S 1997 ‘Body Meets Dress, Dress Meets Body’ dresses, by Comme des Garçons, archives Adrian Appiolaza.For S/S 2019, Paris’ 79 official fashion shows presented 3,524 silhouettes – and their accompanying catwalk images showed not a single view of the back of a garment.
With this off-site exhibition, Samson explores sensual, witty and message-bearing potential of clothes when viewed from behind, and the back’s potential for seduction and expression. These are displayed foremost against the breathtaking backdrop of Bourdelle’s monumental stone sculptures, many of which have been turned backwards for the show.
The exhibition also features black and white photographs from Jeanloup Sieff’s ‘Back is Beautiful’ photographic series, and images of the aforemention S/S 2019 Paris Fashion Week runways. It concludes with the back as a message-conveyer and visual billboard, featuring Melania Trump’s controversial ‘I really don’t care do u?’ green Zara parka.is John Galliano’s black and white ‘Sheath Closed by 51 Buttons’. ‘In 2019, we’re claiming equality exists between the sexes.
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