were creating their respective photo-series on adolescence – Szabo as an art teacher in the early 1970s, in search of a means of building trust with the students he taught at Malverne High School in Long Island, and Davey while creating her ongoing series based on the late teenage years of her stepdaughter, Martha.
– an appropriate term given the notions of connection and disconnection which underpin it. The idea to bring the two series together originated with Hoppen himself. Both Davey and Szabo were fascinated by the ineffable power of adolescence, but for Davey, the proximity of her willing subject – her stepdaughter Martha – lent the process a special kind of intensity.
What’s the resonance today of an exhibition which places adolescence in the limelight, twice over? Most of all, it reinforces a positive perspective of that vulnerable, powerful time. Looking back on hisseries now, Szabo says, “Makes me feel really, really special. And grateful for such a tremendous experience.” “I laughed a lot,” Davey agrees. “It was really joyful, at times. Martha is extraordinary.
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