Characteristic of Cusk’s work to date, the forbidding archness of the mountain’s assessment permeates this novella too. Defiantly peculiar,is experimental fiction that consists of a quartet of thematically connected sections. In these quietly menacing tales – featuring unknowable doppelgängers,, seemingly random acts of violence, family strife – Cusk’s vision of what it is to be human is largely centred around pained bourgeois experience.
Elsewhere, in The Diver, G is a world-renowned sculptor whose “copulating headless knitted dolls” and “giant forms of black spiders” call to mind the works of. A retrospective of G’s work is the backdrop to a suicide, and a dinner party discussion of this death, amongst the show’s organisers, is the engine of this particular story.
It is not solely through plot or character development, however, that these debates are hashed out. The writing regularly takes on a detached, essayistic mode to offer seemingly decisive but somewhat obtuse pronouncements about these matters. “Art, rooted in insanity, transforms itself through process into sanity: it is matter, the body that is insane” we are informed. Elsewhere: “we had relied from the beginning on the manufacture of desire to camouflage the problems of truth and limitation.
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