Monica Bellucci stepped onto the red carpet at the 1997 Cannes Film Festival and felt the earth’s plates shift beneath her feet. She tipped her chin towards the sun and basked in its rays as the skies split in two, raising her hands into a crown formation as if to call on decades of deities past. At that moment, she was Elizabeth Taylor and Brigitte Bardot, Grace Kelly and Sophia Loren. A goddess offering herself to the cameras and absorbing each flash into her own siren force.
This was, after all, the same year that Cartier made Bellucci the first actress to be formally associated with the house – and the body language says as much: “I am your muse.” Bellucci – then 33 – was visiting Cannes to promote Jan Kounen’s Dobermann, in which she played a mute gun moll and had to learn sign language. “I love productions that use bodies more than words,” she said at the time. “For me, that’s the essence of cinema.
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