, and countless others, in order to find out more about the past, present and future of queer life in London.James Greig: You write in the introduction that one of the defining features of queer London is its resilience. I thought this book represented a challenge of sorts to the narrative that London’s LGBTQ+ scene is in a perpetual state of decline. Was that intentional?
AK: I think maybe it has. Can geographic scenes form in London anymore? I don’t think they can because of the nature of the city now. You’re not going to get a migration of a group or a community of people to one place anymore, because people mostly go where they can afford. So there’s a diaspora of queers now. Before, Earl’s Court was popular because it was cheap to live there.
AK: I’d done a lot of the research before but I wrote it during that period in summer when things had opened up a bit. It was OK. I did feel like I was lying a little bit, because I knew that as soon as I submitted the book that it was already going to be out of date.AK: There’s things like Chariots [sauna] in Vauxhall … would that have stayed open without the pandemic? Probably.
This is a hope rather than a forecast but I hope that those sorts of places become more prevalent, rather than, you know, the conglomerate brewery-owned venues. I hope it means that more independent community-led spaces can crop up. Because places are going to close, that’s just an inevitability. But in the ashes, I hope that something more vibrant and less homogenised will emerge.
“Rather than thinking ‘this person opened this bar and that makes them significant,’ I wanted to go bigger and think about how they have shaped the fabric and ethos of what it feels like to be here” – Alim Kheraj
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