’s barely-there designs are at once delicate, minimal, and strong. Her confident and singular approach to womenswear has proven the Albanian-born, London-based designer and Fashion East alumnus to be one of today’s most exciting new talents, and, in Paris last week, saw her awarded the prestigious LVMH Prize – a career-altering €300,000 endowment and bespoke one-year mentorship programme.
“I think that the collection in general feels very light and positive. It’s kind of showing what we’re all feeling now; because we are feeling more hopeful and things are moving. So I think the collection does show that. It’s very light – it’s summery, compared to what I normally do. [Laughs.] There’s a bit of pink there as well, which lightens everything up. The feeling is quite airy.
“I always have a very concrete starting point, so I look at something very visually – whether it's a fashion image, a painting, or an artist. If I find an old picture and I really like the silhouette of the trouser, then the pattern cutter starts to work on it. Everything else I drape on the mannequin first. I take a lot of pictures, I change it up a bit, maybe drape again.
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