Jonathan Anderson fills Ruinart’s one-bedroom hotel with designs from his own home

The living room mantelpiece clinks with a clutch of precious glass boots, fronted by a pair of rare Anglo-Japanese Rosewood coffee tables, one of which boasts foraged shipwreck– barnicles and all. Meanwhile, an abstract 2017 Martin Belou mobile gently rotates in the corner, signifying Anderson’s deft ability to match the antique seemlessly with the new; or as he phrases it, ‘nostalgia and contemporary innovation’.

‘We are now in the moment of recycling, which I love,’ he continues. ‘There is a romance to glass, and other things that are second hand – and the same goes for champagne.’ Of which, a history of antique champagne flutes scales the kitchen wall downstairs, in a tower of exceptionally rare tazzas, sweetmeat dishes and jelly glasses. One only hopes the dinner parties don’t get too raucous.is the tableware; a personal joy of Anderson’s.

The extravagant table dressing somehow reamins true to Anderson’s unique form of minimalism, offering an intriguing way of valuing antiques in contemporary settings. More Japanese blue and white pile high, alongside English and Irish Regency period cut glass jugs, ice buckets and water bowls; which represent the height of 18th century sophistication when ice would have been an absolute rarity.Blessing the tableware is head chef Luke Selby , who has developed a luxurious menu filled with treats to complement a cellar of Ruinart wines.

With just one King-sized suite up for grabs; only 20 guests will have the opportunity to fold themselves in Ruinart Hotel 1729’s floury Irish linen. However each evening, the residents can invite up to eight friends for a dinner party to remember – 18th century debauchery included. . §

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