Several works presented in the exhibition embody this dimensionality within themselves. Take, for example, Omar Al Gurg’s magnificent Spike sculpture – a statuesque wood hanger, spiked with smoothed pegs. The imposing solidity of the work is lightened by its playfulness: the pegs can be moved around or replaced with bowls, in constant interaction with the world around it. “It grows over time, it grows with your family” explains Al Gurg.
Caged within netted metal structures, the texture of the lights depends on the time and space within which the sculpture is situated. But the force of the exhibition lies in its eloquent manifesto to consider different ways of inhabiting and navigating the light and darkness of our world.
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