athleen Hanna has always been dead serious and slyly funny at once. More perspicacious than angry invective alone, that alchemy of tones has been her signature since the early ’90s, when a 20-something Hanna fronted Bikini Kill, the punk band that became the most visible act associated with the third-wave feminist movement known as” over a bouncy surf beat.
Definitely. If you’re an abuse survivor, you learn how to dissociate and check out of your life in order to survive. You turn your intuition off. I was great as a frontperson in a band, because I would shut down and take on what everybody else wanted me to take on and try to be who they wanted me to be. I was always present when I sang, but I wasn't always present for the rest of it. That allowed me to get through some very difficult touring, but it also kept me from taking care of myself.
how can I stay open to critique and to new experiences, despite the fact that I live in a sexist world?to the subtitle of this book—identified as a feminist. How has your relationship to that word evolved over the years? You write candidly about your childhood, growing up in an unhappy home with a father you say “terrified” you. How did discovering art and music, as a kid, change your life?
Many fans who read the book will find out, for the first time, that you have a son, Julius Horovitz. Did you make a conscious decision to keep him out of the public eye, and has it been difficult to maintain that privacy?
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