. I was also lucky enough to visit the country’s many beauty spots, such as Glendalough and Howth, on several occasions.But beyond these visits, I felt more like a tourist than someone with any real connection to Ireland as my ancestral homeland. My parents, the children of Irish immigrants, had grown up in London during the 80s, a time when
were rife throughout the city. While my mum and I have had occasional conversations about this, I’d always been fairly uninformed about how the political turbulence of the Troubles had shaped my parents’ and their parents’ lives. But my ignorance wasn’t as wilful as it was born from a lack of education. Although I took Modern History as a GCSE and A-Level, England’s colonisation of Ireland wasn’t part of the curriculum.
. A surprising source of inspiration, Lisa McGee’s show has taught me more about the significance of my citizenship and ethnic history than the British curriculum ever did. Undoubtedly, exploring the Troubles through a comedic lens was a huge creative risk. Over a 30-year span, over 10,000 bomb attacks took place in Great Britain and Ireland, and while the conflict has “officially” ended, theare still active in Northern Ireland. While the Troubles used Protestantism and Catholicism to refer to the two sides, the conflict wasn’t instigated by religious differences but political and nationalistic ones instead.
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