was scrolling through Instagram when he first saw St Crispins House. The derelict 1970s office block, based in Norwich, had spent years morphing into a Ballardian dystopia – a Brutalist jungle overgrown with tropical palms and sprawling, wild greenery. Captivated by the building’s aesthetic, O’Donovan messaged the original poster,O‘Donovan learnt that the concrete block was being demolished, and that it had once been an overflow building for Her Majesty’s Stationery Office.
However, the wild, untamed nature of the plants was at odds with its Brutalist enclosure. Although artful and pleasing in places, the photographer was also captivated by the atrium’s dystopian undertones. “As the tables became engulfed by the creepers it was changing from a space suitable for enjoying to a place impossible to enter,” he adds. “Maybe nature’s own self-defence.
What’s dystopian about it
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