an ambitious four-part epic about white people pushing into the west—and, with barely a moral qualm, taking for themselves land that had been inhabited by indigenous people for thousands of years. The first three-hour chunk of, premiered out of competition at the Cannes Film Festival on Sunday evening, with its creator, star, and chief risk taker, Kevin Costner, in attendance.
Only a truly churlish person would want to deny Costner this moment of glory: he has nurtured this idea for more than 30 years, and he’s spent roughly $20 million of his own money just to get it going. Costner hasn’t always been the greatest actor, but he’s always been a handsome, appealing figure, the kind of performer who gives the appearance of handling stardom with an easy shrug. And in recent years, his performances have become more energized—his silver-fox gravitas has a bit of kick to it.
Elsewhere, in Montana Territory, a character played by Jena Malone shoots a guy and runs off with a baby, the sort of event that causes legions of note-taking critics to scribble things like “take baby why?” in their notebooks. Why, indeed? It turns out plenty of other people want that baby too, including Dale Dickey’s rough-mannered Mrs. Sykes and her scruffy offspring .
Still, none of the Native characters are fleshed out as fully as they might be. Will their stories emerge in the coming installments? For now, we have to give Costner the benefit of the doubt. Meanwhile, in the name of sensitivity,twists itself into some historically inaccurate pretzel shapes: Worthingon’s First Lieutenant Trent Gephardt, a guy who sees exactly what’s happening and knows why it’s wrong, refers to the Natives repeatedly as “the Indigenous.
is striving for lots of things, including visual majesty, dramatic excitement, some sense of atonement for injustices that are essentially unforgivable. But mostly, it’s a Western in love with Westerns. John Debney’s score shoots for pure Elmer Bernstein-style grandeur—but it also feels like a facsimile, a copy of a copy that has lost some of its crispness.
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