Building a new body of work on site at Gropius Bau has been a helpful exercise for the team. ‘In the studio, everything looks big, and then we come into the museum and it shrinks,’ says Jongerius. ‘So it is really great that we can see the work at the right scale, under the right lights. I am not there every day, so my team has time to concentrate on a piece of work without being watched the whole time.
Jongerius’ move from industrial design to a more experimental craft-based dimension has felt like a natural progression of her practice. From where she is now, she is able to communicate to a more open, critical audience that wants to explore beyond what’s currently possible. Wallpaper’s limited edition May issue cover‘Craft is now more relevant than ever; these ancient techniques not only have cultural and historical value but also offer real solutions,’ she says.
‘Frozen Rain Panorama’, a work from the ‘Woven Windows’ series, woven on the digital Jacquard loom in the Jongeriuslab studioThe piece ‘Cosmos’ from the series ‘Woven Systems’ at the temporary work space of Jongeriuslab at Gropius BauA paper model of the Gropius Bau exhibition space and exhibition installation
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