A slow fire is the process by which acid, found in paper, slowly eats a book from within – over decades, the pages become brittle, they start to crumble away. Eventually, entire books can be destroyed.
‘Each of them is carrying something inside – whether it be shame or guilt, a lust for vengeance, even love – which is slowly eating away at them from the inside,’ says Paula. ‘Each holds the seeds of their own destruction within them. And it was particularly apt because this is a book about books: it’s about storytelling, about writers and readers and the relationships we form over books, so it felt as though I’d landed on the perfect title.
Again, Paula embraces her large cast of characters to show how a crime or sudden event sends ripples through a seemingly disparate group. ‘My books are often told from multiple points of view – in both The Girl On The Train and Into The Water, I had a number of first-person narratives,’ she says. ‘In A Slow Fire Burning, I’ve chosen to write in the third person, but it’s the close third person – so that means we are seeing events through a particular character’s eyes.
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