The Olympic gymnast was cast on the BBC show fresh off the back of his success at the London 2012 Games, and his partnership with professional dancerAdvertisement
“There was an opportunity to go in for a meeting and that was before London 2012, so I went in, spoke to them, cracked a few jokes and had a laugh and showed them what I was about. Then I went off to the Olympics, competed, and then we won the bronze in the team event,” he continues. “It was a transition I really struggled with initially,” he says. “Usually when I did interviews, it was with very Oxford University sports journalist-type people, who would literally quote you word-for-word and I could spiel off all this stuff and not worry about my words being twisted.
When he and Flavia reached the final alongside Girls Aloud star Kimberley Walsh and Pasha Kovalev and TV presenter Denise Van Outen and James Jordan, they were the only couple of the trio not to have previously landed in the bottom two. And then something happened that completely sealed their victory – their Showdance.d routine – a nod to Louis’ sporting background – was unlike anything ever seen on Strictly at that moment in time.
Flavia was cautious due to Showdances usually being “slap, bang, wallop, lifts, sparkles and cannons” but went to speak to bosses, and they were soon on board. However, this meant Flavia had to go back to the drawing board with what she’d originally had in mind.“All the planned lifts couldn’t really be used, as it wouldn’t fit the slow tempo of the music,” Louis explains.
While Louis might have opened Strictly up to new ideas, the show also awakened a whole new passion for him too, with the athlete going on to hone his performance skills in a West End production of Rip It Up at the London Palladium alongside fellow Strictly alum“One of the things I’m most proud of is going into the performing arts and musical theatre side of things, which I never really saw myself being part of,” he says.
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Mortality of Puerto Ricans in the USA post Hurricane Maria: an interrupted time series analysisObjectives To determine death occurrences of Puerto Ricans on the mainland USA following the arrival of Hurricane Maria in Puerto Rico in September 2017. Design Cross-sectional study. Participants Persons of Puerto Rican origin on the mainland USA. Exposures Hurricane Maria. Main outcome We use an interrupted time series design to analyse all-cause mortality of Puerto Ricans in the USA following the hurricane. Hispanic origin data from the National Vital Statistics System and from the Public Use Microdata Sample of the American Community Survey are used to estimate monthly origin-specific mortality rates for the period 2012–2018. We estimated log-linear regressions of monthly deaths of persons of Puerto Rican origin by age group, gender, and educational attainment. Results We found an increase in mortality for persons of Puerto Rican origin during the 6-month period following the hurricane (October 2017 through March 2018), suggesting that deaths among these persons were 3.7% (95% CI 0.025 to 0.049) higher than would have otherwise been expected. In absolute terms, we estimated 514 excess deaths (95% CI 346 to 681) of persons of Puerto Rican origin that occurred on the mainland USA, concentrated in those aged 65 years or older. Conclusions Our findings suggest an undercounting of previous deaths as a result of the hurricane due to the systematic effects on the displaced and resident populations in the mainland USA. Displaced populations are frequently overlooked in disaster relief and subsequent research. Ignoring these populations provides an incomplete understanding of the damages and loss of life. Data are available in a public, open access repository. All data relevant to the study are publicly available (and detailed in the article and supplementary materials).
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