. The repulsiveness mostly comes from how much the film visually emphasizes Margaret's death as a means to push Alice to think for herself.
Wilde utilizes Margaret's corpse as a device to progress Alice's journey without consideration to the Black audiences who have suffered through the imagery of Black trauma in the media. The constant cutbacks to Margaret's ghastly figure haunting Alice put a sour taste in the mouths of Black viewers.After years of lip service, we expect better from Hollywood. The film has as much thankless energy as a white woman typing"BLM | ACAB" in her dating profile.
The screenplay fails to mention Margaret's race nor questions the lack of diversity within Victory. Margaret is an enticing figure who never gets to be fleshed out as a character given her role: the harbinger for Alice of the truth about Victory.'s white creative perspective is laser-focused on delivering a blanket statement on [white] women living in a patriarchal society, but is completely undermined by its poor optics of martyrdom.
, especially when principal photography started in late 2020, within the same year as the Black Lives Matter resurgence, beggars belief.The movie tries so hard to be a progressive type of psychological thriller, but its early 2000s type tropes make it so late on arrival. Now that word has come out that most of, one can't help but wonder if Margaret was more than the Black martyr of the narrative.
While Layne is engrossing every second she is onscreen, Margaret's role could've been handed to any actress in Hollywood for it is such a thankless role: being a plot device for the white lead's arc. Given that we have an array of movies that push positive depictions of Black women and their experience living within patriarchy, it is regressive to be reinvigorating tropes that would only fly in the 90s.
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