, Iglesias has created site-specific installations and immersive environments that sit in dialogue with buildings by some of the world’s most renowned architects – among them, the Renzo Piano-designed Centro Botín in Santander and Norman Foster’s Bloomberg Headquarters in London. Her organic formations are crafted in pitch-perfect medleys of metals such as bronze and steel, stone, ceramic and concrete, often combined with running water.
Wallpaper*: How has the pandemic changed your relationship with public spaces and the work you create for them?The experience of the past two years has not changed but rather reinforced my belief in the need to create public places where people can meet with people they know or encounter strangers and have different experiences. Some public places where my works are installed have become more integral than ever to the daily social life of towns and cities, such as a plaza, a park or an island.
an architect is an artist, it should be
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