The courage and strength the Nobel committee talked about today is at the heart of Ernaux’s canon, but it feels revolutionary because it manifests often as weakness or error or rooted in pain. There have been few more ubiquitous figures in recent literature than that of the “strong female protagonist”. The “strong female protagonist” dominates reading lists, book clubs and bestseller charts.
They tell a story of infatuation and obsession so deep it is embarrassing to look at and intolerable to be around. In an industry that demands relatability, they’re notable in that they are books where you don’tto empathise with the narrator.
We live in a contradictory era of oversharing and curation. We post everything online, but at the same time we’re not supposed to post our L’s to the world . We’re supposed to curate the best version of ourselves to be perceived by others. It feels glib to reduce a writer of Ernaux’s output and talent to someone who manages to find power, if not meaning, in posting her L’s to the world, but for many younger readers who have discovered her through these recent translations, it feels true too.
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