Aindrea Emelife on bringing the Nigerian Pavilion to life at the Venice Biennale 2024

Aindrea Emelife is the British-Nigerian curator spearheading a new wave of contemporary artists, and presently also the curator behind the second-ever Nigerian Pavilion at theWhen we get on a call ahead of the event’s opening , she’s in Venice, working with a team on the installation. As she speaks, I can sense the excitement in her voice: ‘We are working towards the installation’s completion and it's been going really well. I'm looking forward to the reveal.

Here, Wallpaper* chats with the curator about getting started in her career, curating the Nigerian Pavilion, and African arts.It's an honour, but a real undertaking because it's the second time that Nigeria has participated in Venice, which is obviously a great shame. need the representation of African pavilions in Venice. I think the idea of ‘Nigeria Imaginary’, , is potential of Nigeria, and it fits in with current topics and debate. It allows for the wider audience to dream with us.

When I started to think about what I'd like to introduce into the world through my love of art, I felt that making exhibitions and tackling stories that have not been told often enough or at all was a rewarding mission point because there's so much art and art history that hasn't been focused on. As a Nigerian, as an African, about how narrow or how shallow the storytelling of our great, great legacies has been globally.

Many creative professions don't. But I've always been committed, and I'm committed to doing things that can help people in interesting ways. is such a valuable profession to think about how you can inspire people, provide hope, or provide new ways of understanding themselves and the world. So it's better now. My parents are really proud. It was not a simple conversation.

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