, it’s the essence of the county,” says Emmerdale’s executive producer, Jane Hudson. “The menu for a ‘soap’? It’s drama, humour, pathos, humour and romance. And I’m very proud indeed to be part of it all. But there is no room for complacencey in all this, as in any other job. We must change, we have to evolve,”
“This has all been 18 months in the planning,” she says. And, true to form, those writers have risen to her challenges. It is no secret that Emmerdale will be buffeted by a storm “the like of which the village, nor its inhabitants, have witnessed before. There will be stunts to rock your world,” says Hudson. But it is the extent and the consequences of the damage, to both humans and to property, that is firmly under wraps.
It will come as no surprise that the fictional village of Emmerdale does indeed have its own graveyard, part of the huge make-believe set. Some of the gravestones are completely genuine, rescued from redundant Yorkshire churchyards, and remembering real-life people, while others are triumphs of the scenery-makers’ inventive art, and are sacred to the memory of various Dingles and Tates and the like. They all lie at peace near St Mary’s Church.
It is the level of meticulous detail involved in the creation of Emmerdale that still impresses today. Not only is every character given a full “back-story” but it is consolidated with details such as whether or not they take milk in their coffee., who has played Marlon Dingle for a quarter of a century, observes “If they’re seen drinking a black coffee and viewers know that they loved it with a splash of cream, you can bet your bottom dollar that someone will spot it, and get in touch.
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