“I started thinking about the essence of couture, which doesn’t mean going back to the beautiful past of couture, but to the process and the humans behind couture. So, I decided to go back to the,” Piccioli explained. He decided there would be little to no surface decoration in the collection. Instead, he constructed entire garments using techniques that ended up looking like embellishment.
“It’s simple pieces but created with the workmanship itself. The material becomes the creation itself. From the sketch to the final.” A coat was constructed entirely from geometrically cut pieces of fabric knotted together to create a wildly textured effect. A classic camel wool coat had been pieced together from fabric roses. And a roll-neck posing as a rib knit was hand-stitched out of individual tubular elements to create the same effect.
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