Khavn (right photo) and the Kontra-Kino Orchestra ’s The Woman Who Went Mad sounds like a love letter to a ruined country , hypothetically our own, what with its sparse instrumentation, vocals straight out of desolation row , and arrangements that have seen better days with Kontra-Gapi . The album also has the predilection if not wherewithal of turning the lights down low and taking the listener back to a time and place that formerly existed only in the imagination: the old cabarets of Sta.
Ana and taxi dancers ready to oblige their partners with a sweet number for 25 centavos.The more I listen to Khavn and the Kontra-Kino Orchestra’s The Woman Who Went Mad, the more it sounds like a love letter to a ruined country, hypothetically our own, what with its sparse instrumentation, vocals straight out of desolation row, and arrangements that have seen better days with Kontra-Gap
Khavn Kontra-Kino Orchestra The Woman Who Went Mad Love Letter Ruined Country Sparse Instrumentation Vocals Desolation Row Arrangements Kontra-Gapi Cabarets Sta. Ana Taxi Dancers
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