A group of cats dancing together
Every year, Hollywood releases a crop of films designed to tug at the heartstrings of Academy voters, aiming to secure a spot among the year’s most prestigious awards. These movies, derisively referred to as"Oscar bait", are typically rich in high-profile talent, elaborate production values, and themes that scream"serious drama." While some of them manage to deliver memorable and engaging stories, others fall flat, frequently weighed down by their own self-importance.
The plot is solid and the supporting cast is stacked with talent, including Sarah Paulson, Jeffrey Wright, and Nicole Kidman, but the execution is muddled and lackluster. The finished product feels disorganized, overlong, and cloyingly sentimental. It never quite hits the emotional beats it's aiming for. Consequently, the author went so far as to disown the project.
On paper, the movie is composed of several strong parts - a heartwarming premise, charismatic stars, a deft director in Atonement's Joe Wright - but none of these elements ever quite cohere. The script is predictable and the tone is saccharine, failing to dig deep enough to elevate over countless other similar films. It may be Wright's weakest directorial effort to date. As a result, The Soloist was a major box office bomb, grossing just $38m against a $60m budget.
Most critics complained that the movie felt contrived and inauthentic, with melodramatic plot developments undermining the sturdy lead performances. In particular, the film is bogged down by repetitive scenes of Peter's helplessness and Nicholas's suffering, without offering much insight into their inner worlds. Some of the characters, the parents in particular, often act without logic and make utterly baffling decisions. Taken together, this adds up to a skippable misfire.
Fundamentally, Amsterdam film juggles multiple subplots, characters, and historical references, but fails to tie them together in a satisfying way. Compounding problems further is the inconsistent tone, veering chaotically from crime thriller to screwball comedy to earnest drama. It also strains too hard for significance, attempting to make profound statements on a host of social issues, but landing essentially none of them.
Cats PGMusicalFantasy A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
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