'This escort job is way cushier than my last one. I don't have to wear that helmet all the time, and you don't have frog legs sticking out of your mouth.' – Photos: Handout
But here it is at last, for all of us, including this reviewer who has never played the game, to enjoy – courtesy of the game's writer/director Neil Druckmann and Chernobyl showrunner Craig Mazin, giving it undeniable"street cred" across both mediums. And inevitably, a world overrun by such beings would also be very familiar to viewers as well, thanks to, you know – that other show.tells of Joel , a smuggler, who is tasked with escorting a 14-year-old girl named Ellie through a ravaged and dangerous land to a science facility because she may hold the key to saving humanity.
Yet amid the horror – sometimes so understated that it hits your gut even harder when the realisation sinks in – there are also moments of palpable tenderness and compassion that help us appreciate this unlikely duo's journey that much more. Well-positioned flashbacks, some concise and others stretching almost a full episode, effectively flesh out Joel and Ellie's respective histories with a strong bearing on their present.
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